The Space In Between Merleau Ponty

2 Space 283 3 The Thing and the Natural World 348 4 Other Selves and the Human World 403 PART III Being-for-Itself and Being-in-the-World 1 The Cogito 429 2 Temporality 476 3 Freedom 504 Bibliography 531 Index 539 vi contents. As these illustrations show, it is impossible ultimately to separate the question of the nature of our minds and their relation to our bodies from that of the relation between our experience and its objects. Merleau-Ponty rightly says, “The theory of the body is already a theory of perception” (and the converse is, of course, equally true). According to Merleau-Ponty, the human body is an expressive space which contributes to the significance of personal actions. The body is also the origin of expressive movement, and is a medium for perception of the world. Heidegger’s failure to discuss ‘the body’ in Being and Time has generated a cottage industry of criticism. In his recently translated Zollikon Seminars, Heidegger provides a response to the critics by offering a thematic account of the body that is strikingly similar to Merleau-Ponty’s account in Phenomenology of Perception.In this article, I draw on the parallels between these two. Merleau-Ponty: Space, Place, Architecture is a vibrant collection of original essays by twelve eminent philosophers who mine Merleau-Ponty’s work to consider how we live and create as profoundly spatial beings.

Introduction

Merleau-Ponty (French phenomenological philosopher, born in 1908 and deceased in 1961) refers to habit in various passages of his Phenomenology of Perception as a relevant issue in his philosophical and phenomenological position. Through his exploration of this issue he explains both the pre-reflexive character that our original linkage with the world has, as well as the kind of “understanding” that our body develops with regard to the world. These two characteristics of human existence bear a close relation with the vision of an embodied mind sustained by Gallagher and Zahavi in their work The Phenomenological Mind: An Introduction to Philosophy of Mind and Cognitive Science. Merleau-Ponty uses concepts like those of the lived or own body and of lived space in order to emphasize, from a first-person perspective, the co-penetration that exists between subject and world.

Gallagher and Zahavi have regained the experience of phenomenology, especially that of Merleau-Ponty and Sartre, to contribute to the development of the cognitive sciences. Via the phenomenological approach to the reality of habit, a new understanding of the body becomes possible for us, such that it becomes characterized “as subject, as experiencer, as agent,” and at the same time we can understand “the way the body structures our experience” (Gallagher and Zahavi, 2008). Additionally, the idea of a pre-reflexive understanding is conceived of by these authors as a way for refuting those introspective or reflexive explanations that derive from the Cartesian tradition and which are promoted by certain contemporary authors (see, for instance, Dennett, 1991; Price and Aydede, 2005).

In this article I propose to explain the role that habit plays in the phenomenology of Merleau-Ponty and the use that Gallagher and Zahavi make of his theory in their work on cognitive science. The goal of these authors in the work mentioned above goes beyond that of an analysis of habit: they want to demonstrate that “phenomenology addresses issues and provides analyses that are crucial for an understanding of the true complexity of consciousness and cognition,” and thereby reverse the contemporary situation where this perspective is frequently absent from current debates (Gallagher and Zahavi, 2008). For this reason, the neuroscientific community could know a more unified perspective of human behavior. The habit explanation given by Merleau-Ponty shows a kind of body knowledge that cannot be exclusively understood by neurological processes.

This paper could provide the neuroscientific community with a more unified perspective of human behavior. The explanation given by Merleau-Ponty of the habit shows a kind of corporeal knowledge which cannot be only clarified by neurological processes.

Embodied Consciousness

According to Merleau-Ponty, there is no hard separation between bodily conduct and intelligent conduct; rather, there is a unity of behavior that expresses the intentionality and hence the meaning of this conduct. In habits, the body adapts to the intended meaning, thus giving itself a form of embodied consciousness. Indeed, for our author, corporeal existence constitutes a third category that unifies and transcends the physiological and psychological (cf. Merleau-Ponty, 2012; see also Merleau-Ponty, 1964).

For this reason, Gallagher and Zahavi hold that the philosophy of Merleau-Ponty incorporates the body as “a constitutive or transcendental principle, precisely because it is involved in the very possibility of experience” (Gallagher and Zahavi, 2008). From the perspective of cognitive science, they propose that “the notion of an embodied mind or a minded body, is meant to replace the ordinary notions of mind and body, both of which are derivations and abstractions” (Gallagher and Zahavi, 2008). They note that, by way of confirming the priority of the body, the biological fact of the vertical position of the human body has consequences in the perception and action of the person (cf. Gallagher and Zahavi, 2008).

Habit and Understanding of the World

Merleau-Ponty explains that the lived human body relates to a space that is also lived, i.e., that is already incorporated into the world understood as the horizon of its coming to be. According to this view, habit presupposes a form of “understanding” that the body has of the world in which it carries out its operations. An operant intentionality (fungierende Intentionalität) is established with the world, using the terminology of Husserl (see Merleau-Ponty, 2012). That is, the corporeal subject is inserted into a world that provokes certain questions or problems that must be resolved. Therefore, one can speak of a motivation on the part of the world, although not of a necessity, because the response is not mechanical or determined. Between the movement of the body and the world, no form of representation is established, but rather the body “adapts” to the invitation of the world (cf. Merleau-Ponty, 2012). On the basis of this idea of Merleau-Ponty, Gallagher and Zahavi add: “The environment calls forth a specific body-style so that the body works with the environment and is included in it. The posture that the body adopts in a situation is its way of responding to the environment” (Gallagher and Zahavi, 2008). These affirmations are supported by studies that show that the nervous system does not process any information that does not proceed from corporeality (cf. Zajac, 1993; Chiel and Beer, 1997).

Habit bears a direct relation to this form of dialog between environment and subject. Its role is to establish in time those behaviors or forms of conduct that are appropriate for responding to the invitations of the environment. Merleau-Ponty, in establishing the etymological root of the term “habit,” notes that the word have states a relation with what has been acquired by the subject as a possession, which in the case of the body is conserved as a dynamic corporeal scheme (Merleau-Ponty, 2012). Thanks to habit, the person establishes appropriate relations with the world that surrounds him or her without needing any prior reasoning, but rather in a spontaneous or immediate way (cf. Merleau-Ponty, 2012). Gallagher and Zahavi also refer to this form of pre-reflexive understanding, relating it to proprioception, i.e., those sensations by which we know where and how our body is, and that are in our consciousness in a tacit manner (cf. Gallagher and Zahavi, 2008; see also Legrand, 2006). This perspective allows them to distance themselves from representationalist interpretations—for instance, those of Damasio (1999) and Crick (1995), among others—that do not recognize that perception is meaningful in itself (cf. Gallagher and Zahavi, 2008)

We can speak of an engagement of body and world, in which a relation is created that serves as the basis or ground for the rest of the actions of the subject, and which permits him or her to be especially “at home,” comfortable, able to move in an oriented way in a given space (cf. Talero, 2005; Merleau-Ponty, 2012). Just as Gallagher and Zahavi note, this connection with the world does not only mean knowing the physical environment in which the body is situated, “but to be in rapport with circumstances that are bodily meaningful” (Gallagher and Zahavi, 2008).

Habitual and Actual Body

According to Merleau-Ponty, the situated character of the person explains that there is, at the same time, a “general” existence as well as an existence that is linked with the effectiveness of action, and which we can call “personal.” Being anchored in the world makes the person renounce a part of his or her protagonism because he or she already possesses a series of habitualities. In this counterpoint between the general and the protagonistic, there occurs “this back-and-forth of existence that sometimes allows itself to exist as a body and sometimes carries itself into personals acts” (Merleau-Ponty, 2012). Merleau-Ponty distinguishes the habitual body—that of general and pre-reflexive existence—from the actual—that of personal and reflexive existence—understanding that both always co-penetrate each other. He explains that in the behaviors of mentally ill or brain damaged persons the nexus between the habitual and the actual body are broken (cf. Merleau-Ponty, 2012). In these cases, the person can reproduce certain habitual movements, but not those that require an actual understanding of the situation. For instance, a person can perform movements like touching his or her nose with a hand, but cannot respond to an order to touch the nose with a ruler. In contrast, in the non-pathological subject there is no rupture between either form of movement, since he or she is able to grasp this analogous form of movement toward the nose that the sick person cannot achieve (cf. Merleau-Ponty, 2012). The healthy person is able to come and go from the habitual to the actual. He or she is able to readjust the habitual to the actual. The world appears to the healthy subject as unfinished, offering him or her a set of possibilities such that experience “is shaped by the insistence of the world as much as it is by my embodied and enactive interests” (Gallagher and Zahavi, 2008).

The Primacy of Practical Action and the Grasping of Meaning

In the linkage of the subject with the world, effective, practical action has primacy. In the words of our philosopher, there is always “another self that has already sided with the world, that is already open to certain of its aspects and synchronized with them” (Merleau-Ponty, 2012; see also Talero, 2005). Merleau-Ponty frequently expresses the close relation between body and world with the term “inhabit,” as referring to that which is known by the body and which translates into a knowledge of what to do with an object without any reflexion coming in between (cf. Merleau-Ponty, 2012). Gallagher and Zahavi corroborate these affirmations with research that relates perception and kinesthesia, as well as with the “enactive theory of perception” (see Varela et al., 1991). In their studies, they show that perception is not a passive reception of information, but instead implies activity, specifically, the movement of our body.

Merleau-Ponty explains that habitual behavior arises on the basis of a set of situations and responses that, despite not being identical, constitute a community of meaning (cf. Merleau-Ponty, 2012). This is possible because the body “understands” the situation in the face of which it must act. For example, in the case of motor habits, such as dancing, the body “traps” and “understands” movement. This is explained by the fact that the subject integrates certain elements of general motility that permit him or her to grasp what is essential to the dance in question and perform it with an ease that is expressed in the mastery of the body over the movements (cf. Merleau-Ponty, 2012). The ability acquired “will lead to performance without explicit monitoring of bodily movement; the skill becomes fully embodied and embedded within the proper context” (Gallagher and Zahavi, 2008). This corporealization of habit agrees fully with the idea of Merleau-Ponty that the body is a correlate of the world: “Habit expresses the power we have of dilating our being in the world, or of altering our existence through incorporating new instruments” (Merleau-Ponty, 2012). Gallagher and Zahavi take from Merleau-Ponty this non-automatic understanding of habitual acts that, despite not requiring an express intentionality, nonetheless form part of the operative intentionality that was mentioned at the beginning of this article (cf. Gallagher and Zahavi, 2008). Citing Leder, they state: “A skill is finally and fully learned when something that once was extrinsic, grasped only through explicit rules or examples, now comes to pervade my own corporeality. My arms know to swim, my mouth can at last speak the language” (Leder, 1990).

Gallagher and Zahavi are able, over the course of their book, to demonstrate the error of that naturalism that defends objective natural science as the only legitimate manner of understanding the mind (cf. Gallagher and Zahavi, 2008; one example, among others, of this posture is found in Sellars, 1963 and in Dennett, 1991). In contrast, they hold that there is a reciprocal influence between science and phenomenology, just as Varela et al. (1991) understood it via his neurophenomenology based on aspects of the phenomenology of perception of Merleau-Ponty (cf. Gallagher and Zahavi, 2008; see also Gallagher, 1997).

Conflict of Interest Statement

The author declares that the research was conducted in the absence of any commercial or financial relationships that could be construed as a potential conflict of interest.

Footnotes

Merleau ponty signs

1. ^Cf. also the works that these authors cite by Straus (1966); Lakoff and Johnson (1980); Lakoff and Núñez (2001).

2. ^Cf. Merleau-Ponty (2012). In chap. IV of the Introduction, entitled “The Phenomenal Field,” he explains the vital communication with the world that we are given via sensation and perception.

3. ^Gallagher and Zahavi show that Sartre also shares with Merleau-Ponty the idea of being one's own body, rather than possessing it; cf. Sartre (1956) and Merleau-Ponty (2012). In this work he affirms: “But I am not in front of my body, I am in my body, or rather I am my body.”

Merleau

4. ^For a more detailed analysis, see Kelly (2007).

Merleau ponty phenomenology

5. ^These ideas, which were already present in Husserl's thought (1970), are taken up by authors such as Noë (2004); Gibbs (2006).

6. ^This concept deserves a treatment that I cannot give it in this article, especially after the appearance in 1999 of the book Naturalizing Phenomenology.

References

Chiel, H. J., and Beer, R. D. (1997). The brain has a body: adaptive behaviors emerge from interactions of nervous system, body and environment. Trends Neurosci. 20, 553–557. doi: 10.1016/S0166-2236(97)01149-1

Crick, F. (1995). The Astonishing Hypothesis. London: Touchstone.

Damasio, A. R. (1999). The Feeling of What Happens. San Diego, CA: Harcourt.

Dennett, D. C. (1991). Consciousness Explained. Boston, MA: Little, Brown and Co.

Gallagher, S. (1997). Mutual enlightenment: recent phenomenology in cognitive science. J. Conscious. Stud. 4, 195–214.

Gallagher, S., and Zahavi, D. (2008). The Phenomenological Mind: an Introduction to Philosophy of Mind and Cognitive Science. New York, NY: Routledge

Gibbs, R. W. (2006). Embodiment and Cognitive Science. Cambridge: Cambridge University Press.

Husserl, H. (1970). The Crisis of European Sciences and Transcendental Phenomenology. An Introduction to Phenomenology. Transl. ed E. D. Carr. Evanston, IL: Northwestern University Press.

Kelly, S. (2007). “Seeing things in Merleau-Ponty,” in The Cambridge Companion to Merleau-Ponty, eds T. Carman and M. B. N. Hansen (Cambridge: Cambridge University Press), 74–110.

Lakoff, G., and Johnson, M. (1980). Metaphors We Live By. Chicago, IL: University of Chicago Press.

Lakoff, G., and Núñez, R. E. (2001). Where Mathematics Comes from: How the Embodied Mind Brings Mathematics into Being. New York, NY: Basic Books.

Leder, D. (1990). The Absent Body. Chicago, IL: University of Chicago Press.

Legrand, D. (2006). The bodily Self. The sensori-motor roots of pre-reflexive self-consciousness. Phenomenol. Cogn. Sci. 5, 89–118. doi: 10.1007/s11097-005-9015-6

Merleau-Ponty, M. (1964). Signs. Transl. ed R. C. McCleary. Evanston, IL: Northwestern University Press.

Merleau-Ponty, M. (2012). The Phenomenology of Perception. Transl. ed D. A. Landes. London; New York: Routledge.

Noë, A. (2004). Action in Perception. Cambridge, MA: MIT Press.

Price, D. D., and Aydede, M. (2005). “The experimental use of introspection in the scientific study of pain and its integration with third-person methodologies: the experiential-phenomenology approach,” in Pain: New Essays on its Nature and the Methodology of its Study, ed M. Aydede (Cambridge MA: MIT Press), 243–273.

Sartre, J. P. (1956). Being and Nothingness. Transl. ed H. E. Barnes. New York, NY: Philosophical Library.

Sellars, W. (1963). Science, Perception and Reality. London: Routledge and Kegan Paul.

Straus, E. (1966). Philosophical Psychology. New York, NY: Basic Books.

Talero, M. (2005). Perception, normativity and selfhood in Merleau-Ponty: the spatial ‘level’ and existential space. Southern J. Philos. XLIII, 443–461. doi: 10.1111/j.2041-6962.2005.tb01962.x

The Space In Between Merleau Ponty

Varela, F. J., Thompson, E., and Rosch, E. (1991). The Embodied Mind: Cognitive Science and Human Experience. Cambridge, MA: MIT Press.

Zajac, F. E. (1993), Muscle coordination of movement: a perspective. J. Biomech. 26(Suppl. 1), 109–124. doi: 10.1016/0021-9290(93)90083-Q

Pubmed Abstract | Pubmed Full Text | CrossRef Full Text

Maurice Merleau-Ponty begins the third chapter of Phenomenology of Perception by exploring aspects of consciousness as they relates to one’s understanding of their own body. Bodies are comprehended insofar as how they connect to the space that they occupy. He writes: Let us first of all describe the spatiality of my own body […] This is because its parts are inter-related in a peculiar way: they are not spread out side by side, but enveloped in each other. For example, my hand is not a collection of points (112).

Repeatedly throughout this chapter, Merleau-Ponty is trying to grapple with the idea that the body should not be looked at as a composition of individual parts that make up the whole, but rather as a whole entity that should not be split up into bodily functions. He continues:

Hence they form a system and the space of my hand is not a mosaic of spatial values. Similarly my whole body for me is not an assemblage of organs juxtaposed in space. I am in undivided possession of it and I know where each of my limbs is through a body image in which all are included (112-3)

This is Merlea-Ponty’s way of seeing the body as more than a collection of organs that all occupy different spaces. Even though a hand can reach into a different space than that same person’s leg, for example, it is still one body and occupies one space.

‘Body image’ was at first understood to mean a compendium of our bodily experience, capable of giving a commentary and meaning to the internal impressions and the impression of possessing a body at any moment. It was supposed to register for me the positional changes of the parts of my body for each movement of one of them, the position of each local stimulus in the body as a whole (113).

Merleau-Ponty uses the term “body image” as a way to explain the wholeness of bodily experience, rather than looking at the body as a diminution if its parts. It seems that for him, descriptions and terminologies such as “organ” reduce the body into independently disconnected parts that have their own functions, rather than a joint, totalizing function of the entire body.

If my body can be a ‘form’ and if there can be, in front of it, important figures against indifferent backgrounds, this occurs in virtue of its being polarized by its tasks, of its existence towards them, of its collecting together of itself in its pursuit of its aims; the body image is finally a way of stating that my body is in-the-world (115).

The body image is therefore a concept that cannot be understood as a region within the context of objective space, for the each person’s body image or body space is the basis for their capacity to organize and perceive bodily movements.

We are therefore feeling our way towards a second definition of the body image: it is no longer seen as the straightforward result of associations established during experience, but a total awareness of my posture in the intersensory world (117).

We should not be looking at the body image and its parts with reference to how they perform their functions, or what we associate our body parts with based on experiences. There will now be a more totalizing awareness of the body and how it experiences a unity of multiple simultaneous senses.

A second topic I’d like to touch on, and what Merleau talks about in the latter half of the chapter, is what he terms “morbid motility,” which shows us the fundamental relationship between the body and space. Merleau-Ponty spends some time exploring the interactions and self-perceptions of a patient who is “psychically blind” and who cannot understand the “body schema” without visual reference.

A patient whom traditional psychiatry would class among cases of psychic blindness is unable to perform ‘abstract’ movements with his eyes shut; movements, that is, which are not relevant to any actual situation […] He manages the abstract movements only if he is allowed to watch the limb required to perform them, or to go through preparatory movements involving the whole body […] the same subject who is unable to point to order to a part of his body, quickly moves his hand to the point where a mosquito is stinging him (118).

Eye And Mind Merleau Ponty

In this case study, the patient must intellectually grapple with motion and action instead of being able to do it automatically. He cannot convert thought of movement into movement, but can both think and move. He can swat a mosquito that is stinging him, but cannot tell when a part of his body is being touched, and the size and shape of what it touching it. This kind of vision of the body reduces the body to a mechanism, and reduces the mind to an abstract symbol processor.

Motility, then, is, and, as it were, a handmaid of consciousness, transporting the body to that point in space of which we have formed a representation beforehand. In order that we may be able to move our body towards and object, the object must first exist for it, and our body must not belong to the realm of the ‘in-itself.’ Objects no longer exist for the arm of the apraxic, and this is what causes it to remain immobile. (161).

What Merleau-Ponty means by “in-itself” is admittedly unclear, though I suspect he is talking about the perception of the body as a summation of its parts. When he talks about the apraxic, he is referring to the person who is missing a limb and thus cannot perform actions with a prosthetic hand, for example, because he or she has lost the ability to perform coordinated movements using something that they do not consider to be a part of their body. At the beginning of the chapter, he briefly introduces this:

The fact that the paralysed limb no longer counts in the subject’s body image, is accounted for by the body image’s being neither the mere copy nor even the global awareness of the existing parts of the body (114). This lack of “global awareness” is the inability to look at one’s body as one thing, one entity, rather than a summation of many parts.

Returning to the blind patient Schneider, who is able to swat a mosquito that is biting him but is unable point to a place on his body that is being touched, Merleau-Ponty suggests that the problem lies with his inability to think of his body hypothetically. This is not a loss of visual content, for Merleau-Ponty insists: Until some means has been discovered whereby we can link the origin and the essence or meaning of the disturbance […] until phenomenology becomes genetic phenomenology, unhelpful reversions to causal thought and naturalism will remain justified (145).

What he means here, I believe, is that this type of “motility” will support consciousness and allow these connections by projecting other bodily possibilities onto us, thereby solidifying the wholeness of our bodies.

Some further passages to consider:

[…] it is not enough that each sensation of the left hand should take its place among generic images of all parts of the body acting in association to form around the left hand, as it were, a superimposed sketch of the body […] the spatiality of the body must work downwards from the whole to the parts, the left hand and its position must be implied in a comprehensive bodily purpose (114)

Psychologists often say that the body image is dynamic. Brought down to a precise sense, this term means that my body appears to me as an attitude directed towards a certain existing or possible task (114)

[…] because the form is accessible only through the content. Bodily space can really become a fragment of objective space only if within its individuality as bodily space it contains the dialectical ferment to trans- form it into universal space. This is what we have tried to express by saying that the point-horizon structure is the foundation of space(117).

Merleau Ponty Film

We must therefore avoid saying that our body is in space, or in time. It inhabits space and time (161).

If habit is neither a form of knowledge nor an involuntary action, then what is it? It is knowledge in the hands, which is forthcoming only when bodily effort is made, and cannot be formulated in detachment from that effort. The subject knows where the letters are on the typewriter as we know where one of our limbs is, though a knowledge bred of familiarity which does not give us a position in objective space (167).

Works Cited:

Merleau Ponty Art

Merleau-Ponty, Maurice. “The Spatiality of One’s Own Body and Motility.” Phenomenology of Perception. 112-170.